Born:
London, UK, 1980
Lives and works:
Chicago, IL/ Brooklyn, NY
Education:
2001 BA (Hons) Fine Art/Art History, Goldsmiths College, University of London, UK
2003 Graduate Certificate, (Transdicisplinary Program), Spatial Information Architecture, RMIT University, Melbourne, Australia
Fellowships
2011 NYFA (New York Foundation for the Arts) Digital/Electronic Arts Fellow
Residencies:
Studio Artist, Gertrude Contemporary Art Spaces, Melbourne, 2003-5
Australia Council Tokyo Studio Residency, June-August 2008
EMPAC (Experimental Media & Performing Arts Centre), Rensselaer Polytechnic, NY, January 2009
Art/Science residency at Mothers & Babies Research Center, John Hunter Hospital, Newcastle, Australia, March 2009
Selected Exhibitions:
2010
New media art show, Last Supper Festival (curated by Blue Box Gallery), 3rd Ward, New York City
The Armory Show, VSA Arts, New York City
Japan Media Arts Festival, National Art Center, Tokyo
Revealing Culture, Smithsonian International Gallery, Washington DC
2009
The Armory Show, VSA Arts, New York City
Trace Elements: spirit and memory in Japanese & Australian Photomedia, Performance Space, Sydney
William & Winifred Bowness Photography Prize Shortlist, Monash Gallery of Art, Melbourne
Offerings, Space 414, Brooklyn, New York City
2008
Trace Elements: spirit and memory in Japanese & Australian Photomedia, Tokyo City Opera Gallery, Tokyo
Australie: Mythe et Realité, Maison des Sciences de l’Homme, Paris
Derivative Composition, Kennedy Center, Washington DC
2006
Sophie Kahn, Martine Corompt, Van Sowerwine, Stills Gallery, Sydney
Bitmap International Digital Photography Project, Loop Alternative Art Space, Seoul
The Waxen and the Flesh, Spacement Gallery, Melbourne (solo)
Greetings, Ocular Lab, Melbourne
Strange to Inhabit the Earth No Longer, Spacement Gallery, Melbourne (solo)
A Short Ride in A Fast Machine, Gertrude Contemporary Art Spaces (Studio 6), Melbourne
Through a Stranger’s Eyes – Australian photographers, Designfesta, Tokyo/Arts Aporia, Osaka
2004
Graphite digital art exhibition, Graphite conference 2004, Singapore
Contemporary Collection Benefactors Auction, Art Gallery of New South Wales, Sydney
Woollahra Small Sculpture Prize Shortlist, Sydney
Gertrude Studios 2004, Gertrude Contemporary Art Spaces, Melbourne
2003
Panorama, 24seven (solo)
Reconstruction, Studio 12, Gertrude Contemporary Art Spaces and Collingwood Town Hall, Melbourne (solo)
Gertrude Studios 2003, Gertrude Contemporary Art Spaces, Melbourne
2002
Luminosity, Linden – St Kilda Centre for Contemporary Art, Melbourne, Australia (solo)
Transparency, West Space (solo)
The Arcade Project, Ivy Hopes and Cathedral Arcade, Nicholas Building, Melbourne (solo)
Festivals & screenings:
Frameworks, Dance New Amsterdam, New York, 2011
International Video Dance Festival of Burgundy, France, 2010
Japan Media Arts Festival, Tokyo, 2010
DANSCAMDANSE, Ghent, Belgium 2009
Dance Movies 2009, EMPAC, 2009
Awards:
William & Winifred Bowness Photography Prize Shortlist, 2009
Wynn Newhouse Award Shortlist, 2009
Woollahra Small Sculpture Prize Shortlist, Sydney, 2004
Sophie’s work is held in private collections in Britain, the US and Australia
Funding:
Sophie’s work has been supported by a number of bodies, including the Australian Network for Art & Technology; The City of Yarra, Melbourne, Australia; the Briar Art Trust & the Australia Council for the Arts.
Bibliography:
H+ Magazine, Profile by Chris Grayson, August 2009: full text
Time Slips in Another Place, Review by Gail Priest, Realtime 88, December-January 2009: full text
Found in Translation: Australian Art in Tokyo, Interview with Ashley Crawford, Photofile 85 (Australian Centre for Photography),
Indecisive Moments, Review by Ashley Rawlings, Japan Times, August 28, 2008: full text
Artistic Movement, Review by Stephanie Merry, Washington Post online edition, June 27 2008
Life Focus, profile by Tess Hewson, JMag February 2006
Review by Tracey Clement, Metro Sydney, March 10-16 2006
Invisible Corporeal, essay by Jeff Khan for Spacement exhibition, 2006
‘Between Magic & Reality’, Review by Robert McFarlane, Sydney Morning Herald, February 21, 2006
Essay by Alexie Glass for Bitmap exhibition, 2006
Sunday Age, Preview, August 1, 2005
Review by Darren Tofts, Photofile 76 (Australian Centre for Photography), November 2005